After years of color grading experience as a filmmaker and colorist, my goal was to create something totally new.
DaVinci Resolve native tools wasn’t enough for me, and no node-tree or LUTs were satisfying.
Presets never works on every footages, and LUTs can easily destroy the image signal.

I needed to create something different, a complete new approach with new algorithms.
My goal was simple, in less than 30sec I need to fix my images, and give them a look.
It had to be as simple as using a LUT, while having all the control I needed.
I started by combining ideas and techniques that I’ve created over the years.
I kept adjusting the code for 4 consecutive years to make it better.

Until it was finally perfect.